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I Am Love was developed by Guadagnino and Swinton over seven years. It was shot on practical locations in Milan, San Remo and the village of Castel Vittorio, near the French border. The filmmakers’ visual touchstones included Gustav Courbet, Russian Constructivist Kazimir Malevich and Italian painter Giovanni Boldini.

"We wanted the feel to be rich and majestic but not luxe,” says Le Saux. “We didn’t want something that would look like a commercial, with too much light, too much brilliance.”

“From the beginning, we talked about the two worlds,” recalls Le Saux. “The world of the Recchis is strict, with more contrast, wide angles and a colder feel in the characters’ relationships. For the countryside, Luca wanted natural light, longer lenses, more close-ups and no depth-of-field, and we strove to be open to catching everything that happened on set.”

The Villa Necchi Campiglio was designed by Milanese architect Piero Portaluppi and is now a museum. The Filmmakers had to use natural light with reflectors and white bounce because the windows were too huge to handle.

To prepare for the first dinner-table scene, Le Saux spent long hours in the location watching how the natural light played and moved inside the house. For the day scenes, he set two 6K HMIs and a 4K outside the enormous windows and bounced that light off the floor. By the time Edoardo Sr. makes his speech, night has fallen, and the lighting has changed to a strong overhead source bouncing off the white tablecloth; the bounce “reflects onto the faces of the people as a sort of inner light from that class,” Guadagnino marvels. 










source The ACS



 

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