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The visual style created for Arrival by director Denis Villeneuve and cinematographer Bradford Young was intended as "dirty sci-fi."

According to Villeneuve, the plan was for the events of the story to feel like “a bad Tuesday morning, like when you were a kid on the school bus on a rainy day and you’d dream while looking out the window at the clouds.”

“I was looking for a cinematographer with a very precise sensibility towards natural light, I wanted the movie to have strong roots in realism. I wanted a cinematographer who would not be afraid to deal with intimacy. It’s a very specific sensibility that I felt in Bradford’s previous work.”

Bradford Young swings between cool and warm tones to emphasize the emotions Louise is dealing with “I went for cooler colors when I wanted Amy to feel worn down. We tried to pull back on that a little bit, but then Denis stopped me in the color grading and told me not to be so concerned about skin tone and let her be pasty, let her exist in that melancholy space, let us feel that visually.”













The visual style created for Arrival by director Denis Villeneuve and cinematographer Bradford Young was intended as "dirty sci-fi."”

According to Villeneuve, the plan was for the events of the story to feel like “a bad Tuesday morning, like when you were a kid on the school bus on a rainy day and you’d dream while looking out the window at the clouds.”


“I was looking for a cinematographer with a very precise sensibility towards natural light, I wanted the movie to have strong roots in realism. I wanted a cinematographer who would not be afraid to deal with intimacy. It’s a very specific sensibility that I felt in Bradford’s previous work.”


Bradford Young swings between cool and warm tones to emphasize the emotions Louise is dealing with “I went for cooler colors when I wanted Amy to feel worn down. We tried to pull back on that a little bit, but then Denis stopped me in the color grading and told me not to be so concerned about skin tone and let her be pasty, let her exist in that melancholy space, let us feel that visually.”




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