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Yorgos Lanthimos is the Oscar-nominated director of "The Lobster" and "Dogtooth". His movies generally deal with characters pushing the boundaries of the systems around them. In "Lobster" he envisions a world in which being single is illegal and lawbreakers are transformed into animals of their choice. While that may sound absurd, it’s also typical for Lanthimos.

"So this film, for me, was mainly about having a certain kind of voyeuristic look to it. 
We decided to just try and keep the camera as much as away from the actors as possible and not have it in their face. 
Usually we had the camera either lower or higher than their eye lines. We used long lenses, and a few times very wide-angle lenses—extreme choices. We created a visual language that we felt was particular to this film." 

Thimios Bakatakis’ cinematography captures through deep-focus shots, muffled sepia-like colours and wide angle shots the sombre mood and the lugubrious atmosphere of the story, while moving constantly between closed and open spaces or dark and grey surfaces. The flattening of the image makes the film look like a surrealist painting, especially in the scenes in the wood, creating a space of oneiric displacements: The animals become symbols, not of failed humans but of frustrated desires. The film is about desire without a name or object to be projected upon – a self-consumed blind libidinal drive.

Sources steemit, filmiconjournal














 


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